capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
One: Right now, I'm aiming for a 6-week challenge: From January 2 to February 13: The dullest of doldrums times in my particular culture. Also, I've heard that it takes six weeks of steady practice to get a habit rooted.

Two: Word count be damned. Instead, I'm thinking along the lines of "A Plot Chain Unit A Day": Situation -> Disruption -> Reaction -> Consequence. Start the next day with New Situation. That might be covered in 300 words, or it might take 1,000. If you don't have all the words in your brain (or time in your day), jot down the synopsis. As with NaNoWriMo, if you're on a roll, you can always write more.

Three: (Because, I, personally, need to be be connected to other people, as well as a schedule, to keep on track) Schedule in periodic breather days (every 3 days? once a week?) for getting feedback on knotty plot units, with a willing partner(s). That partner might also be writing (in which case, you'd trade) but they don't have to be -- they could just be your "sounding board." Breather Days could also be used for going back and filling in synopses, if need be.

(NaNoWriMo's culture of "Never look back, never pause, just throw as many words on the page as you can, regardless of what those words mean," is ultimately what always led to my mental and emotional burnout by the end of November)

There is no fixed word count for success. The point is to finish a satisfying story.

Whatcha think?
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
I clicked on a YouTube video from a channel called "Nerdy Novelist," titled Why the argument "AI is Stealing" is irrelevant.

I watched it through, hoping he'd eventually get to a better argument against AI (Curious to see if he'd have the same different arguments that I've thought up).

But nope.

His only argument was that tech companies are writing better programs, so they can create "synthetic" training data sets, so they don't have to scrape copyrighted material for their large language models. And someday, book publishers will put compensation clauses into their contracts with writers. And if the computer in your mom's basement is powerful enough, no one will be able to sue you for copyright infringement.

As an example, he said he'd soon be able to user generative AI to write an entire novel in the style of Brandon Sanderson without his permission, 'cause you can't copyright a style (and no one can pinpoint Sanderson's style anyway).

And that was the whole video.

And the comment section was filled with tech-bros talking about how the people who are against AI (especially writers* who are against AI) are fools who are just purists and elitists.

I almost replied with a rant of my own about how "Legal" is not the same as "Ethical," but decided to type all this out here, instead.


*Specifically the writers from NaNoWriMo who are complaining.
capri0mni: Text: If you want to be a Hero, be Good to the Storyteller. (Storyteller)
Thanks to the entity now embracing A.I. as a "Tool."

(After looking back at my stats).

There were a couple years where I tried to do multiple challenges in a year, burning out, not participating, and then coming back.

According to my profile, there, I started 19 distinct projects, between the November marathon proper and "Camp NaNoWriMo," with a total of 605K-and-a-bit words typed out. My last registered project was in 2020. I did not reach 50K that year; I think it was about that time that I realized simply typing 50k words at breakneck speed did not lead to crafting a story I actually still wanted to tell, come December (what really kept me coming back, over and over in spite of that, was the social permission to make a pillow fort out of an imaginary world, where I could retreat from seasonal attitudinal depression, and other pressures; Pillow forts aren't meant to be permanent).

Back when I started, in 2005, NaNoWriMo was a much different beast than it is now... There were no corporate sponsors, and the only prize you could claim was a winner's T-shirt. And the social vibe was a lot more like the spontaneous writers' communities that sprung up on old school Bulletin Board Systems, IRC chat rooms (remember those?), and Usenet forums.

(All of which I miss, BTW)
capri0mni: Frog with a faraway look, perched on branch; text: "quiet please, contemplating my novel" (quiet please)
Back when I was a senior in college (back in the mid-to-late 1980s), I actually wrote a fantasy novel for kids aged ~8 - ~11 (in a self-designed course for a single credit, under the guidance of my Literature advisor), inspired by a series of dreams and recurring characters that showed up in them.

My advisor encouraged me to try and get it published. And so, I arranged with teachers from my old school to have a class of 30 or so 10 year-olds beta read it, and give me feedback for revisions. The kids also encouraged me to try and publish it.

So I did.

Now, back then, there was no "Self Publishing." The closest thing was "Vanity Publishing," where you would pay 100% of the publishing cost of your book, which would be printed in hard copy, for the benefit of having 500 -1,000 books shipped to your personal address, which you were then responsible for storing and selling out of the trunk of your car in a parking lot, somewhere. And if word got out that you were trying to claim credit for being a "published author" because of a Vanity Press book, actual publishers wouldn't touch you with a 40-foot pole.

If you wanted to get published, you had to buy that year's copy of Writer's Market: a listing of magazine and book publishers, and agents, with a brief description of what material they published, and what they wouldn't touch.

Guess what genre no agent or publisher was interested in handling?

That's right, Gentle Readers: Fantasy for children aged 8 - 11. I would have happily sent out a dozen queries for each story I wrote, if there were publishers and agents willing to look at them. But for three to four years of trying, in directories of two-columns of tiny print, and several hundred pages long, I'd be lucky to find two or three outlets even willing to look at fantasy for kids.

The general consensus, across the publishing business, was that fantasy was a dead and obsolete genre. If it was for kids old enough to read chapter books and novels, it must also be firmly grounded in realism and actual history, because everyone knows the only people buying books for kids that age were teachers, who wanted stories with practical applications in the classroom.

***

After 3 - 4 years of trying, while I was in grad school, I finally got a rejection from the one agent who agreed to read my novel. A few days later, I received news that my mother had died from the breast cancer she'd been fighting, and my heart just went out of the project altogether.

A few years later, the first Harry Potter book was published. And it became a worldwide phenomenon. And it was the kids, themselves, who were driving the sales.

See, I think the real reason the books were such a success, even though they were never really very well written, was because they were in a genre the audience was hungry for -- a genre they'd been denied access to for all of their young lives.

Someone who is starving will think even moldy bread is delicious.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Back in 2005, I tried my hand at writing original, personalized, fairy tales on commission, and one of my first was for a young man with C.P.’s 21st birthday.

First, I met with him at his home, to talk about the story he wanted, and what kinds of themes he wanted. Then, I flailed for about a week trying to pin it down before I realized I could email him and ask for clarification.

This is the reply he sent back:

I think about being a normal hero named Michael. He needs clothes like
fionne. Be like Fionne* but be me with Zena the warrior princess as his
friend. There should be the Lost Boys from Neverland but by another name as his friends, too. No CP in fairy tales.

Xena should need me as a healer after fighting. she needs a friend like me,
too.

thanks.

Mike


And that No CP in Fairy Tales has haunted me, ever since.

I agreed with him, when I met up with him for that first conversation, because nothing stings worse than having that aspect of yourself that marks you apart being treated as “special” and your one defining feature.

But it wasn’t long after I finished that story, and sent it off to him, before I started wondering: Why the Hell can’t we have CP in Fairy Tales?

After all, fairy tales have shepherds, and shipwrights, and kings, and cobblers, and beggars, and merchants, and old women, and young girls, and fools, and wise men -- every class and creed of humanity. And people with (what will later be called) “Cerebral palsy” have been part of humanity since the beginning (it’s a congenital condition that has many causes, results in life-long disability, but is also -- often -- survivable. So there’s no reason for people with the condition to not be part of the world.**

So, a couple of NaNoWriMos ago, I set out to write an original fairy tale with a protagonist who had “C.P.” for myself -- but I never used that term, I just described her as a person: what she could do, what she couldn’t, how she and her family improvised adaptive tools for her, etc., with a healthy soak of genre-appropriate magic for a sauce.

The result was my par-for-the-course 50K word salad. But I think there’s a good story in there, somewhere, that actually works.

Back when I was working on that story, I told myself that I was avoiding the specific term “Cerebral Palsy” because my genre’s setting was vaguely medieval/Renaissance Europe, and the medical term wouldn’t have been coined for another few centuries.

Anyway, the other morning, I woke up with a realization:

But that’s not the reason the phrase “cerebral palsy” should stay the hell out of literary fairy tales, whichever milieu they’re set in.

It’s because “Cerebral Palsy” is a medical attribute. And the medical model of disability (and the medical model of everything, really) sets the individual apart from the world they live in, as broken exception, in need of being fixed. And in Fairy Tales, the characters (and especially the protagonists) are there to represent the human condition for everyone.

So it’s not so much: “No CP in fairy tales,” but “no medical diagnoses” in fairy tales.

But in other genres (particularly in modern forms of literature), where the story does rely on a finely detailed individual (Say, for example: in a "One vs. Society," story arc), actually naming their disability would be better than avoiding the name. Otherwise, it would feel like you're treating it as something shameful, that shouldn't be named.

(And now, I'm wondering if it's possible to write something that is clearly a fairy tale, but set in an industrial, or post industrial world like our own. It's a thought.




*That's Fionn, as in the Irish hero, Fionn MacCumhail, BTW

**In fact, I think the Anglo-Saxon word “crypel” was simply a descriptive term for those people -- like “short,” or “tall,” “fair,” or “dark”; it didn’t get used in an insulting way until the 1600s.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
And this dialectic popped into my head (originally posted on Tumblr, today):

Pop Culture's Monster: Argh! Argh!

Mary Shelley's Monster:
Once I falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding. I was nourished with high thoughts of honour and devotion.


Well-Actually intellectual: "Frankenstein" is name of the scientist, not the monster.

Tumblr-Woke intellectual: The scientist Frankenstein is the monster, for creating a sentient being, and then abandoning it.

Mary Shelley: Actually, it is Society that made the monster evil, because of its systematic, repeated, and violent rejections of any being that does not conform to standards of beauty.

Me: Mary Shelley was the creator of both the monster and the scientist. And it was her artistic decision to write the monster's story arc such that society's abuse beat all reason, virtue and gentleness from him, and she wrote the ending that the monster's only happiness would come after he committed suicide on his own funeral pyre.

She, too, was a product of the Society she criticized, and, even if she never realized it, consciously, was thus an instrument of it.

And the popular misconception of Frankenstein's Monster is just a manifestation of Society's refusal to see goodness and virtue when it is encased in forms we are taught to despise, which Mary Shelley spent the entire novel writing about, in the first place.

Peak literary irony.




An extra note, not included in the post I recreated, above: The term "monster," at least, in this case, is value-neutral. It simply means a living thing made up of multiple other creatures (like horses with wings, or genetic chimeras). And as the creature Victor Frankenstein created was sewn together from several different corpses, he would have been a monster even if he remained the sweetest cinnamon roll in the pastry shop till the very end.
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I did that this afternoon, except instead of flour, I ground up about 10 ginger snap cookies in a tabletop blender with a little bit of baking soda, into mostly fine crumbs. And that was my “Dry Ingredients” mix.

For my “Wet ingredients” I diluted some almond butter (the natural kind, where the oil separates out, and floats on top, when you get it from the store)* with a bit of water, canola oil, tart cherry juice concentrate, and a splash of egg whites from a carton (because I don’t have the coordination to crack an egg – if you do, do that, instead, and beat it a little, with a fork); I mixed it in a 20 oz. paper bowl, "greased" with the canola oil before I poured most of it into my batter).

And then I stirred in my “Dry ingredients” and zapped it in the microwave for 3 minutes and 20 seconds (in a 700 Watt oven). And let it finish cooking simply by leaving it in there to cool down of its own accord (about 20 minutes.

The end result is pretty good. I just ate the whole thing (minus the taste test I did when I first turned it out of the bowl I cooked it in, and a bit of it stuck).

The almond butter and cherry juice is something I had on hand, already. You could also do this with any nut or seed butter you like.

I think thinning it with fruit juice is important though (not just water), because the acid in the juice reacting with the baking soda is what makes the cake fluffy. You could use any cookie you like, too: Nilla Wafers and peanut butter would be a-ma-zing. If you thinned down the peanut butter with grape juice, you could call it a “Peanut butter and Jelly” cake. If your juice is not in concentrated form, like my cherry juice, I'd just use it straight, instead of adding water).



*Pro-tip for nut butters with separated oil (easy, but slow, method to remix, especially if it needs it when you bring it home from the store): Before you open the jar, turn it upside down, and leave it for a few days to a week. Let the oil float back in the other direction, and do its own damned mixing! ;-)
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Namely, that a in "A Visit from Saint Nicholas," the narrator was dreaming.


Now, that’s far from proof that Santa Claus is fake (we can certainly have dreams about real people and real events). But it does ... loosen ... the scope of possibilities of how Santa Claus really fulfills his mission, each year (For example, the sleigh and reindeer, and chimney, may all be open to negotiation)

Here, let me break the poem down, and show you how I figured this out:

Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap.

  • So, the author and his family are already in bed and, if he, himself, is not sound asleep, yet, he’s certainly starting to drift off...


When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

  • Wait a minute -- his wife is in the room with him. If this were really happening, wouldn’t she wake up when he opens the window in the middle of the night, and lets in all that cold air (and yell at him for it)? I would.


The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.

  • Okay, this whole thing started in the narrator’s bedroom... And now we’re in the main parlor (I think)? I mean, granted, bedrooms had their own fireplaces, back then. But would the children have hung their stockings on their parents’ private mantle? That seems odd for the waking world. But the sudden shift of location like this happens all the time, in dreams.


He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow.

  • His clothes were covered in soot (from all that chimney bounding), but his beard was pristine (calling back to the snow imagery from before)?


The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.

  • If this were happening in the waking world, there is no way the narrator could see Saint Nick get into his sleigh, and it would be very hard, if not impossible, for the narrator to see the sleigh flying away from the roof, while he’s still inside the room.


But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!”



The implication of this, of course (!), is that the 2014 Doctor Who Christmas Special, where Santa Claus invades people's dreams to help defeat the alien monster, and save their lives, is, arguably, the most true-to-the-original-poem depiction of Santa Claus that we have on screen.

And there's a certain part of me that is pleased by this.

An irony

Mar. 12th, 2018 11:37 am
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Popular opinion:
Get you a sweetheart who breaks out with the most beautiful poetry every time they see you, or at the very least, has the perfect Shakespeare quote for every occasion.


Shakespeare:
Actually... get you a sweetheart who is so in love with you that they get tongue-tied into silence the minute they think of you, and if they are inspired to try and write poems about you, their metaphors are all mixed, and their scansion is a mess -- because the very idea of you is too big for words. And anyway, they care more about you than showing off how clever they are.
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I know the arguments (I’ve heard them ever since Elementary School, when History Class was called “Social Studies”): that armed forces and war are unfortunate but necessary evils for a stable and functioning State, and therefore, Society.

But lately, as I wake up to news of yet another airstrike against a hospital, or a terrorist bombing of a school, or kidnappings or torture, or the burning down of villages, I only come away more baffled and more sad.

I mean, even if it were true that War is an ugly but necessary Means to a better End, I’m left asking:

A Means to What End?

Some killing, I understand.

  • Killing another living thing for food, or shelter -- I get that (And there’s a growing realization that plants have some form of sentience, so vegans aren’t off the hook on that point, either).
  • I understand using antibiotics to kill off microbes that make us sick.
  • And I understand the rationale behind herbicides and insecticides -- even though I think they’re used too much and that the rationale is often misguided -- I can still see the logic behind them.
  • Or killing lab animals so we can better understand disease and help find treatments for things like cancer; I understand that, too.
  • I understand when a person decides to have an abortion.
  • I even understand the death penalty for certain crimes (though I don’t often agree with it).


So I understand that killing is often a necessary means to better ends. I get that bit.

But War? The systematic creation and maintaining of entire sections of society dedicated to the purpose of being cannon fodder?

Killing citizens (whether soldier or civilian) because you don’t like the policies of their leaders? Or killing people because you don’t like how they pray? Or, for whatever reason, you’re squicked whenever you think about the place where their ancestors came from? Or they speak the “wrong” language? Or they have the “wrong” skin color?

I just don’t get it...

Because whatever ends the means of war is meant to achieve, I’ve never seen any of the wars in my lifetime (since the invention of the telephone, radio, and television) actually work (If wars did work for solving problems, we wouldn’t have to keep trying them over and over, and over, and over, and over...).
capri0mni: "There is no moral to this story, except.... But no-- there is no moral." (Moral)
Had a dream before I woke up this morning, and while I only remember a few dots of it, the ones I do remember are:

  • One of those safety cones cleaning staff put down on the floor, with “Hebrew” lettering (or what my subconscious identified as Hebrew), and an English translation. The translation read: “Plot Point.”
  • Frantic searching for my passport, and worrying that it had been left behind in a foreign country.
  • Piling into a car with someone else and his (?) little brother, luggage piled on top, and in every nook of free space inside, and trundling down the driveway in the predawn hours to start a (road?) trip.


My Mother and Father were both in the dream, too (Mother died 26 years ago, and Father died 11 years ago), and the driveway in question was that of my childhood home (where I have not lived in 21 years, in a place I haven’t visited in 5 years).

So the homesickness, and longing for family, that have been saturating my dreams for the past several months, was all there. But they were waving us off (I think), not coming with us. And the whole point of the dream was that this trip was very important (but I don’t remember if any of us knew what the destination was).

Sometimes, my dream mind is frustratingly opaque in its symbolism. Other times ... It's about as subtle as a flashing neon sign with arrows, a scrolling marquee, and a circus pipe organ. :-)

Still have zero glimpse of a plot idea, though.
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So -- over on Tumblr, someone made the comment that you can't call out people for their ableism if they don't know what 'ableism' means. So when we in the disability community talk about it, we're basically preaching to the choir.

So I've decided to post a definition of 'Ableism' with slightly different phrasing each time every couple of days. ...Most of the definitions are my own words (or will be). One is from Merriam-Webster Online, and one is from Disability Rhetoric by Jay Timothy Dolmage.

Here are the ones I've got, so far:

1) Ableism is when you discount someone's humanity because they do not have all the 'standard' abilities we're taught to expect.

2) Ableism is when you accept a culturally contrived 'standard' of human ability, and measure the value of a human life against that standard.

3) Ableism renders disability as abject, invisible, disposable, less than human, while able-bodiedness is represented as at once ideal, normal, and the mean or default. [That's Dolmage's)

4) 'Ableism' is the idealization of ability.

It is a bias that credits anyone who has abilities we admire with good moral character, while discrediting the moral character of disabled people.

5) 'Ableism' is a subconscious filter in our perception; it only lets those with a 'full set of abilities' into the category of 'human.' Those with less than a 'full set' are often treated as inconsequential, or even invisible.
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This is a "chat" I posted to my Tumblr, today. And I'm posting it now, in response to This story segment from [personal profile] dialecticdreamer, and the ensuing discussion.




Disabled Person: I need a wheelchair.

Wheelchair Manufacturer: We won't sell you one unless Medicare will pay for it*

Disabled Person: I need a wheelchair.

Medicare: Can you walk 20 feet?

Disabled Person: It's 40 feet from my front door to my bedroom...

Medicare: Can you walk 20 feet?

Disabled Person: I can, but it's excruciatingly painful, my balance is terrible, and I risk falling at every step.

Medicare: Then No.

Disabled Person: Why not?

Read more... )



*Footnote: Even if you are wealthy enough to purchase a wheelchair out-of-pocket, many suppliers still require proof of insurance. And even private insurers copy Medicare's policies when it comes medical equipment and mobility aids.
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...to pour over every detail of this with stereotypical geeky delight.

You have been warned.


[Image description: Thumbnail image for the YouTube video: “Meet the Thirteenth Doctor” posted by the Doctor Who YouTube channel, showing a close-up of a white woman’s open hand, with the cuff of a dark coat’s sleeve, holding a brass colored key in her open palm. Description Ends]

Video Description behind the cut )




Okay, so this is what I am wondering: Can we garner any further clues from this (beyond what’s already been leaked/officially released) about what happens in the Christmas Special?

I mean, that hooded coat is very like the one Twelve has been wearing, the last two series. But Jodie Whittaker is a lot smaller than Peter Capaldi, and she is not lost in there – it’s clearly tailored to her.

So is this her fresh after regeneration and the outfit 12 had been wearing changed with her, to accommodate (via TARDIS magic), or is this outfit this incarnation’s Chosen Look? And if so, what does that say about her character, if she’s chosen something so similar?

Also – presumably, the Christmas Special will at least start out wintry, but this scene is in the height of summer. So what happens in the intervening seasons/years? Also also – the bit where first, a fresh key, and then the TARDIS, appears is reminiscent of the end of Eleventh Hour… Apparently, they’ve been separated from each other for a while. Does that mean that Twelve’s regeneration will be as destructive as Ten’s was?

(I did warn you…)

Or, alternatively, do you think this scene’s only purpose is to introduce 13? And the mysterious walk through the woods just looks cool? And if that’s the case, what do you think it says about the tone and/or themes for the show that Chibnall wants to set?

Discuss.


^Everything above this line started as a Tumblr post.^

Everything from here is fresh for Dreamwidth:

  • I'm glad they decided to go with a woman.

  • I'm disappointed she's so white (and still not ginger!).

  • But I'm even more disappointed than I expected to be that they went back to the conventional "pretty youth" mold; for those viewers who just started watching with Doctor 10,* it must seem that Clara's concern in "Deep Breath" was valid: 12's regeneration as an 'old' person must seem like something was broken, that time. I don't need a full head of grey hair. But would a wrinkle or two really be so bad?
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But ... Tumblr, you know: it may suddenly take off three months from now. In the meantime, it's not exorcised from my mind yet, so I'm posting it here, now (slightly edited to mesh with Dreamwidth's format).

What if we really have had contact with extraterrestrial aliens, already?

Roswell, New Mexico.

Okay, okay. I know it’s cliché.

But hear me out. Besides, I’m offering this as a “What if--” a story prompt, if you will -- not a revelation of some nefarious conspiracy, nor a claim that I’ve figured out the Truth that They don’t want anyone to know.

If there is a single “Big Truth” out there, a) I don’t think anyone can know for sure what it is, and b) if we ever do find out, I don’t think it would be anything terrible or scary, after all (maybe a little sad).

Anyway --

On July 3, 2017, the BBC World Service rebroadcast an interview with the son of one of the men who found the remnants of the “alien craft” (Major Jesse Marcel).

I won’t link to it here, because website itself is inaccessible (audio with no transcript). But if you want to look it up, the keywords I used just now were “BBC World Service,” “Witness” (the name of the program), and “Roswell.”

Jesse Jr. was 11 at the time, and at the time of the interview (in 2010), he came across as sincerely convinced that the bits and pieces his father brought home to the kitchen table were: a) actually alien, and b) not at all like the scraps of weather balloon that were revealed to the public shortly after.

[Caveat] He was 11 at the time, and his father woke him up in the middle of the night to show him what he’d found. It could very well be that he was convinced by his father’s enthusiasm, and that his father was motivated by his desire to find something alien, so that neither of them were seeing these artifacts clearly. And over the years, Jr. could have doubled down on his belief in order to defend his father’s honor. [/Caveat]

Two details of the interview made my ears perk up, and take the idea that there really was some kind of “alien incident” at Roswell, 70 years ago a little more seriously:

  1. Jesse Marcel Jr. insisted that his father made no mention of any alien bodies at the crash site -- and that the first mention of the Pentagon hiding “specimens” didn’t crop up until the 1970s.

  2. When asked by the interviewer: “But why Roswell?” Mr. Marcel answered that the site was radioactive, because of all the nuclear testing, and surely, the aliens would want to investigate that. When the interviewer asked: “But why haven’t they been back?” he answered that he didn’t know.


But, as all our most serious-minded scientists (even the ones who are imagining life outside our solar system, and puzzling through ways to test for it) will tell you: Real-world interstellar travel takes a very, very, long time.

So: here’s what I’m imagining might have happened:

Around the time that predynastic Egyptians were domesticating the donkey, astronomers living on the planet that we are now calling “Kepler-425b” turned their telescopes to the sky, wondering if there were intelligent life on other planets like theirs.

...

Around the time that Alexander the Great was trying to establish an empire, their technology has advanced enough to send forth a ship in our star’s direction, carrying an unmanned probe, which has been programed with instructions to home in on any signs of proof of life -- especially intelligent life.

The ship is capable of traveling at incredible speeds -- almost half the Speed of Light -- but even so, those idealistic astronomers know they won’t live to receive any answers that that little probe may discover. It’s all for their future generations, if they are still around, to reap.

That little probe finally makes it to its destination 3,000 (Earth years) after it set out: a little, rocky planet third out from its star -- a medium-sized star just like the one it set out from. And as it gets closer, the signs of life are unmistakable. And closer still: the signature of enriched Uranium, and Plutonium! Exactly what it was sent to find. It comes in closer, maneuvering with the planet’s gravitational pull, preparing to send its message back home.

Except it crashes. It never gets to send that message. It gets dismantled; its parts get hidden away, and only those Earthlings that are thought to be delusional by others of their species believe it ever existed at all.

But the descendants of the civilization that sent it forth have no idea of its fate. They won’t even start looking for its message to arrive for another 1,400 years.



But (I hear you say)! Isn’t there another star with seven Earth-like planets, that’s much, much closer?

Yes, there is: a star we call “Trappist-1.” But it’s a dwarf star. The planets in its habitable zone are very likely tidally locked. This means that there’s a good chance the civilizations that arose on them have no concept of “Distant Stars,” much less develop the desire and the tech to venture among them (because the habitable zone on their home planet's surface is bathed in continual twilight, so they never see distant stars).

But I could be wrong about that. Still, if the scenario I outlined for the astronomers of Kepler-435b had played out on one of Trappist-One’s planets, instead:

For a probe traveling at almost half the speed of light to arrive in Roswell, New Mexico in 1947, it would have had to leave its home while we Earthling Americans were engaged in our Civil War -- killing each other over whether some of us have the right to own others of us.

Those astronomers would’ve started listening for a return signal from their unmanned probe around the time Ronald Reagan was threatening to bomb the Russians with that same purified uranium. That signal was that was fated never to arrive.

Those astronomers might’ve shrugged their equivalent of shoulders, and wrote it off as a valiant, but failed, attempt.

If, however, they were determined to find us, and make contact, because they’re even more optimistic and friendly than we are, and allowing time to build a second probe to send it chasing after the first one...

That second “message in a bottle” wouldn’t arrive here until almost 2100.

If they already had a second probe ready to go, and their tech advanced in the meantime, and they manage the miraculous traveling speed of three-quarters Light Speed -- we might get a second chance to say “Hello. Sorry about the misunderstanding,” in 2042-ish.

...Assuming we don’t destroy our ecosystem and die off, thanks to global warming, by then.

okay.

So maybe this story’s ending is more than a little sad.

(I think I've glimpsed the singularity of the Fermi Paradox ... And it is us)



Oh, and most of the time I spent writing this was looking up names of stars, and crosschecking the timeline of human civilization.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
In his recent book Disability Rhetoric (Critical Perspectives on Disability), Jay Timothy Dolmage makes the following distinction between disablism and ableism:

Disablism, broadly conceived, negatively constructs both the values and the material circumstances around people with disabilities. Ableism, on the other hand, positively values and makes able-bodiedness compulsory.*


Disablism, in other words, is what leads to sympathetic treatment in the media of parents who murder their own disabled children, because of course, they were too heavy a burden to care for. And ableism is what leads to Applied Behavioral Analysis (ABA) – which forces autistic children mimic neorotypical people (often through electric shock and withholding food) – to be considered “therapy” rather than torture. Like the filling and bread of a sandwich, the two ideas are not exactly the same, but neither can they exist in isolation.

From here on, I’ll be focusing that second aspect of ableism as Dolmage defines it: the idea that [full ability] is, in our societies, “compulsory.” At first glance, it may seem absurd – the hyperbole of a bleeding-heart radical. After all, for many, “a sound mind in a sound body” is impossible, and can’t be enforced. But what can be (and has been) enforced is full access to the rights, privileges, and protections of human society. Come up with an arbitrary standard of abilities that “everybody” has, and you have a means to measure the quality of any person’s humanity. Once you have that, you can claim a rational, (supposedly) justifiable, reason to write laws against them.

Bigotry is the bedrock of nearly all social injustice. And ableism is the toxic sludge poisoning the ground in which human societies are rooted, allowing a wide range of oppression to flourish. And, as long as ableism remains unacknowledged and unchallenged, it also weakens our fight against it.

There are two main misconceptions about bigotry that get in the way of people recognizing both the reality of ableism and the harm it causes.

The first is that bigotry is nothing more than a prejudiced, mistaken idea about someone, based on their perceived identity (“All white people love mayonnaise”). But in actuality, bigotry is the systematic combination of belief and policy used in order to enforce the status quo for the privileged classes and deny others their rights. No white person has ever been denied a job because of their preferred condiments. On the other hand, the belief that women are both more irrational, and less able to control their impulses than men, led to policies allowing banks to deny women the right to open their own checking account without their fathers’ or husbands’ permission (source).

The second misconception is that, in order to be “bigoted,” an idea must be false (“All black people are less intelligent than whites”). This forces marginalized people to spend their time debunking lies, focusing all our energies on trying to prove we’re smarter, stronger, and more capable than our oppressors say we are (“Do twice as much, twice as well, for none of the credit”), instead of focusing our attention on changing the actual laws and policies that are used against us.

And it’s this second misconception that makes ableism – the idea that a measure of a person’s ability is a valid reason to deny the value of a person’s humanity – that makes it such an insidious force against our fight for universal justice. Because disability exists in every community. Some women are frail. Some blacks are intellectually disabled. And so these are the people shunned by their own communities (and it’s often our elders who bear the worst of this). Ableism allows our oppressors to “Divide and conquer.” And because every person who’s alive is at risk of becoming disabled, it plants the seed of doubt in the back of the mind: “What if ‘they’ are right – what if I am too weak, or not smart enough?” undermining the strength of our convictions.

But if we can, collectively, recognize ableism for the false and arbitrary standard that it is, then bigotry will no longer have the power to distract and divide us:

Whether or not I measure up to your standards is irrelevant. I do not need to be as strong, or as smart, as you claim I must be I am still a human being. And my life matters. My humanity is valid. And I – we – deserve justice.

The "*-Ism" Tree

[Image description: A black and white tabloid sized poster in the style of an educational diagram, showing a tree and its root system, combined with text.

At the bedrock level: "BIGOTRY: Beliefs and policies which work to exclude people from full membership in human society."

In the root system: "ABLEISM: Judging the value of a person's humanity on the basis of ability."

The trunk has two forks; the left-hand fork is labeled "RACISM:" and leads to an example racist belief in its cluster of leaves: "Blacks are Less Intelligent than Whites, but they are More Athletic"

The right-hand fork is labeled "SEXISM:" and leads to two clusters of leaves. The main cluster reads: "Women are Weaker, & Less Rational than Men;" the secondary cluster reads: "Gays are effeminate. Lesbians are emasculating."

The top cluster of leaves centered between these two branches, with a freely curving arrow pointing down to each half, reads: "Claims about Ability used to Pass Judgment on People's Humanity (This is ABLEISM)"

Description ends.]



*(Kindle Locations 504-506). Syracuse University Press. Kindle Edition (copyright 2014)
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
So I am signal boosting.

Here’s the homepage where B.A.D.D. is explained, and links the the eleven previous blog festivals are are archived: Diary of a Goldfish -- BADD 2017

I’ll be posting my entry on my Tumblr blog, and also here, on Dreamwidth (for those who find Tumblr inaccessible). And in the meantime, I’m signal boosting.

Have a gander at what I wrote last year, just for a taste (on Tumblr): What the “Social Model of Disability” Actually Means.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
(Much [not all] of my commentary on Episode One ["The Pilot"] I posted to my Tumblr, first)

Spoilers for *The Pilot* all the way down )




Spoilers for *Smile* all the way down )

So Yes: Good. Two strong episodes in a row.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Okay, granting that the Fermi Paradox is a hot mess, fallacy-wise, which of these common* answers to the question: “So Where is Everybody?!” would please you most -- or should I say -- leave you feeling the least depressed?

A. There’s no else out there.

We really are special snowflakes in the entire universe, and the only life to have sophisticated civilizations and advanced technology.

B. They’re all dead.

Any civilization with technology advanced enough to contemplate interstellar / intergalactic travel will end up destroying itself through war and/or pollution before they succeed.

C. They don’t care about us, or our planet.

We’re too insignificant and boring for anyone to spend resources to get here or try to communicate with us -- not even to mine our asteroids or kidnap us and harvest our livers ... or whatever.

D. Interstellar / intergalactic travel actually is impossible.

Doesn’t matter how sophisticated a civilization is, or how advanced their technology, no one is getting off any of their respective rocks, and we’re never going to get to meet them, or they, us.

E. Why are you talking like “first contact” is a good thing?!

You better hope we never do find proof of more powerful, alien, beings out there. Only bad things could result. Very. Bad. Things.

*”Fool! They’ve been communicating with Earthlings for years, already -- just ask the elephants!” is, unfortunately, an uncommon answer.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
It's a Big image, so I'm going to give you the image description up top (which is long enough, but easy to scroll past), and put the image itself below the cut:

Image description: A black and white tabloid sized poster in the style of an educational diagram, showing a tree and its root system, combined with text to explain the relationship between Bigotry, Ableism, Racism, Sexism, and Homophobia.

At the bedrock level: "BIGOTRY: Beliefs and policies which work to exclude people from full membership in human society."

Above, in the root system: "ABLEISM: Judging the value of a person's humanity on the basis of ability."

Above ground, the tree's trunk has two main forks; the left-hand fork is labeled "RACISM:" and leads to an example racist belief in its cluster of leaves: "Blacks are Less Intelligent than Whites, but they are More Athletic"

The tree's right-hand fork is labeled "SEXISM:" and leads to two clusters of leaves. The main cluster reads: "Women are Weaker, & Less Rational than Men;" the secondary cluster, branching off from the first, reads: "Gays are effeminate. Lesbians are emasculating."

At the very top of the tree, in a cluster of leaves centered between these two branches, with a freely curving arrow pointing down to each half, is the explanation: "Claims about Ability used to Pass Judgment on People's Humanity (This is ABLEISM)"

Description ends.

The "*-Ism" Tree

It's all black and white, now. ...I'm debating whether to add color here and there (like outlining the tree's leaves, and maybe coloring the words). It would be easier to color the entire thing if I had the option of saving a scanned image as a .gif or .png file instead of only .jpg or .pdf.

Ya know?

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