capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Today – Today (10 August, 2019) is the 35th Anniversary of the movie called "The Adventures of Buckaroo Banzai: Across the Eighth Dimension"

What is this movie with such an unwieldy title, you ask?

It’s a:

  • Sci-fi spoof
  • Comic book hero movie parody (for a comic book hero that doesn’t actually exist)
  • Anti-fascist
  • Anti-military-industrial-complex
  • Unabashedly Chaotic Good (with emphasis on chaotic)
  • An art film
  • Underrated to an almost criminal degree
  • FREE on YouTube – Legally free; not a bootleg (~ 102 minutes)


It also saved my relationship with my mother.

Our relationship had always been strong, but after flunking hard out of my Freshman year at university, it was clearly at a tipping point, and it was hard to be around each other in the muggy heat of August without feeling angry, sad, or both at once. It's a testament to my mother's wisdom that she suggested we take a break, go to a movie theater with air conditioning, and see this movie that had just opened and looked interesting. We emerged back into the sunlight with our diaphragms aching from laughing. And from that day forward, whenever things got tense, we'd quote lines to each other to lighten the mood.

We were both convinced at the time that it would rise to the status of Cult Classic on par with “Rocky Horror Picture Show” – that even people who hadn’t actually seen it would at least recognize catchphrases and characters for cosplay and the like. That didn't happen at the time. But maybe it will happen someday.

"Spoilers" below the cut, if you want to call them that. Though I'm of the opinion that the strength of this film has less to do with plot points than it does with execution:

Why I believe 'The Adventures of Buckaroo Banzai: Across the Eighth Dimension' is a wonderful, uplifting, and ultimately Antifa, Political film (an enumerated list): )
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Prompted by a question from someone in my circle, who asked what's good to watch when you need cheering up, it only took a moment's thought to come up with Buckaroo Banzai (came out the summer of 1984 -- this is its 30th anniversary! \o/ Woot!). Which, sadly, I haven't actually watched in ages. So I did a YouTube hunt, and found the trailer.

Turns out, I'd never actually seen the trailer (Mother suggested we go see the movie based on a newspaper ad). Note to Hollywood promotional people: This is the right way to make a trailer -- it totally conveys the tone, it's catchy and sticks in your head, introduces the faces of all the characters, and it teases the action without spoiling any of it.



Buckaroo Banzai: Proving bowties are cool before Matt Smith outgrew his high chair.

(A bit of a O_o realization for me, right this moment: Mother was the age I am now when she and I saw this movie together, just the two of us. We went back twice more in the same week: once to watch it again with a family friend, and again to go back and watch it with my father. We bought the vhs when it came out /and/ the novelization from Pocket Books... oh, and we also 3/4 of a litter of kittens born a few weeks later after major characters).

(oops. I promised clips, plural. here's a favorite scene):



(unfortunately, I can't find the clip I want, where Buckaroo and his alien companion sneak into an enemy transport vehicle, and the alien says: "It's like one of our thermopods. But it's a very bad design." This is a line that pops into my head whenever I come up against Accessibility!Fail...)

Why TF is Robocop more famous than this?! (don't tell me -- I know: the hero is more complex than a gun-shooting robot, and it's a comedy / sci-fi flick, before geeks were recognized as a cash cow audience).

[ETA: a Buckaroo Banzai Q & A with Peter Weller and John Lithgow, from 2011: http://youtu.be/N8R8wmlggwc (43 minutes). Watching these two remember how much fun they had making the movie is almost as much fun as watching the movie itself.]
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
... between narrative ethical messages in pop culture ...

Rented How to Train Your Dragon through YouTube Thanksgiving night as a treat:

Bechtel Test: Fail

Animal Rights: Fail (beautiful, intelligent, complex, wild creatures make the coolest pets!)

Disability Culture: Massive, Surprising Win: this is the first story outside my own head where the protagonist ends up with a permanent disability, that's seen as a happy ending - proof of having survived a real challenge and proof of a character's maturity.

If only if could have been a trifecta ...
capri0mni: Illustration of M. Goose riding a gander; caption reads: Beware the magic of words (mother goose)
1) One good thing about watching online, long after the original release, is that I don't have to worry about dealing with that 3-D nonsense.

2) I'd read on Wikipedia that there was a controversy about the title -- with the accusation that Disney removed the female lead's name from the title in a crass and manipulative pander to boys in the audience. I don't know if that's the actual reasoning or not, but I'm glad the change was made. Because that film is to the original story what pureed parsnips are to maple vanilla ice cream: They look kinda similar, from the far side of the room. But get closer, and they smell different, taste different, and feel different. So it's good they put a different label on the carton.

3) This may come across as heresy to some... But I like the movie better than the original. Then again, the original is my second least favorite Grimms' tale (my first least favorite is Sleeping Beauty)

4) Still, this movie did take up a lot of time with a pet peeve of mine: Horses are not dogs! Don't spend all your animating and voicing talent creating a magnificent stallion, and then have him sniff the ground, wag his tail, and sit on his haunches like a dog (you're already giving him human expressions and mannerisms to make his emoting familiar, after all). The gags aren't that funny. There will be kids in your audience who know what real horses are like. And the kids that don't know can learn.

5) So -- This movie did remind me of the original (because of names), and that got a plot bunny hatching in my brain. So, this is how the original ended (1857 version, translated from the German by D. L. Ashliman):

The prince was overcome with grief, and in his despair he threw himself from the tower. He escaped with his life, but the thorns into which he fell poked out his eyes. Blind, he wandered about in the forest, eating nothing but grass and roots, and doing nothing but weeping and wailing over the loss of his beloved wife. Thus he wandered about miserably for some years, finally happening into the wilderness where Rapunzel lived miserably with the twins that she had given birth to.

He heard a voice and thought it was familiar. He advanced toward it, and as he approached, Rapunzel recognized him, and crying, threw her arms around his neck. Two of her tears fell into his eyes, and they became clear once again, and he could see as well as before. He led her into his kingdom, where he was received with joy, and for a long time they lived happily and satisfied.


So... Rapunzel spends the first part of her childhood hidden away in a walled garden (and she's not a princess; her parents were commoners), her pubescent and young adult years hidden away in a tower, meets and falls in love with the one man who finds her, and the only man she's ever seen in her life, and then spends "several years" as a young single mother in the middle of the forest raising the twins that one man has fathered (so she survived... and made a life for her family. She couldn't have been utterly miserable).

From there -- from a life where she has known nothing but almost complete solitude from birth-- to get whisked into the world of royal etiquette, protocol, and political intrigue (married to a man with depressive and suicidal tendencies). ...Seems to me, that's where the story really gets interesting.

So I have a plot bunny where there's a threat of treason at the castle, or a war, and Rapunzel helps the royal family escape the castle, back to the forest, where she uses the magic she learned at her foster-mother's knee to help defeat the evildoers, and she saves the day. And/or her son and daughter could grow up to be adventurers...
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
The other day, [personal profile] dharma_slut posted this link to a TEDx Talk by Colin Stokes, about the correlation between our modern rape culture and the lack of movies that pass the Bechdel Test:

http://youtu.be/Nx8RRIiP53Q

Quick summary of his thesis:

A) It's not enough that we empower girls to protect themselves against the Patriarchy; we have to teach boys to fight the Patriarchy, too.

B) Adventure movies aimed at young male audiences that Don't pass the Bechdel Test have the following subtext: "The role of the True Man is to go out Alone and Kill the Bad Guys, and then come home and collect his reward: a woman who has no friends, and doesn't speak."

So:

C) It's time for fathers to teach their sons that it's a good thing to want to be on Team with the goal of helping others, instead of being a Solo Renegade, even if the leader of that team is a woman, and that Real Men trust their sisters.

And part of his talk was a strong endorsement, by name, of Pixar's new Movie "Brave."

Based on that recommendation, I did something I'd never planned on doing: Gave Google my credit card number, and rented "Brave" for 48 hours of watching over the Internet. I just finished watching the first time through tonight... May watch it again before time's up tomorrow.

Anyway: I wanted to report: not only does it pass the Bechdel Test (the whole movie is basically a long conversation between Mother and Daughter about How to Lead your King Queendom), it also passes the Disability Test I came up with a couple of weeks ago.

The King loses half his leg in the first act (before the tenth minute), in a fight with a demon bear. And for the rest of the film, his peg leg is treated as proof that he Survived, rather than a reason to be pitied.

So it has a disabled character. And while he boasts about getting revenge against the demon, that's clearly for the sake of a good story; he spends all his actual energy trying to maintain the peace in his kingdom (mainly between his wife and teenage daughter), so it's clear that that's his real motivation. And the movie has a happy ending, even though (*gasp*) he still has a peg leg at the end.

Anyway, the movie's page on YouTube has snippets of reviews from Rotten Tomatoes, and while the majority were positive (overall 78% positive), even the good reviews were kind of lukewarm. Now that I've seen the movie, I think a big reason for that is what I call: "Mashed potatoes Vs. Vanilla ice cream Syndrome;" they may be the best mashed potatoes ever to come out of any chef's kitchen, but if you gobble down a mouthful expecting ice cream, you're going to hate them.

The number one thing that I noticed about this film, in comparison with all the other Pixar movies I've seen is that it is so much darker.

First, it's literally darker. Every other movie from them has been "candy-colored:" the worlds of children's toys, and tropical fish in coral reefs, and crayon-colored monsters in closets. This movie was set in the Scottish Highlands, in the Middle Ages, and its color palette is dominated by fog, and stone, and deep, dark forests (still image from the film of the heroine riding her black horse through a fog-shrouded ring of standing stones). I, on the other hand, love those forest/earth tones. But I still recommend watching the 2-D version, and turning the brightness on your screen all the way up.

Second, it's thematically darker (and that may be what dampened reviewers' enthusiasm most of all). Usually, these kinds of "kids' movies" get their happy ending from the moral: "Free spirits just have to be Free!!. But this movie gets its happy ending from the moral: "Free Spirits must learn to temper their Hearts' Desires with Responsibility Toward Their Community." The soaring ballad during the closing credits is "Learn me Right," and it's all about owning up to your mistakes: needing, seeking, and earning, forgiveness.

According to Box Office Stats (unfortunately powerful), this was the first Pixar movie to fail to come in the Top Ten of the Year (it came in #11). I can't help but wonder if it would have done better as an autumn movie-- it certainly had an autumn feel, rather than summer vacation and cotton candy... you know?

Anyway, I liked it.

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