capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
In my last post on this subject, I stated my discomfort with the current cultural discussions of "Bullying, and What to Do About It," because, in my experience, it's the adults who form the largest segment of the bullying population, and that children, on the whole, are more tolerant, and no one seems to be talking about that part of the equation. This entry started out as what I thought would be one brief sentence in a reply to a reply to that post... and then it kept getting bigger, and I realized it should be its own thing:

... I know: I've seen the reports, and the candid filming of behavior on playgrounds and in lunch rooms, so I know that childhood bullying exists. But it's still my deep is my deep gut feeling that adults are far worse sinners as far as bullying goes. I don't think I will ever shake it completely. And I think this is a direct result of growing up, from birth, with Disability Disprivilege.

You see, what I've seen, from the time of my earliest memories, is that a very great (if not a vast majority) number of people who work in the "Disability Services" sector -- from young adults taking summer jobs at "special" camps, to Special Ed teachers, physical therapists, and social workers, all the way up to administrators of disability services at city and county levels -- are drawn to the field because they are bullies.

First off, they know that the job title on their business card is enough to earn them adulation from their community (for making such a noble and charitable sacrifice on behalf of those poor unfortunates). So they get near global reinforcement that their view of the world is the one true view (and this is precisely what bullies have been trying to prove to the rest of the world since they uttered their first insult in preschool).

And second, and perhaps more important, it puts them in position of control over other people's lives, and gives them an air of expertise, and the power to make up the rules of the game. So, for example, when they tell parents of a disabled child: "Johnny will never be able to read at grade level, anyway, so we'll just pull him out of class during English, so we can at least train him to walk normally as possible," most parents just take their word for it (and any quick survey of "rehabilitation and treatment" literature will reveal that the appearance of normalcy is the number one measure of "quality of life").

If Johnny, himself, tries to complain or protest, he gets stuck with the label "Resistant to Treatment," and "Disobedient," and gets punished and put in isolation.

And because of how the Rehabilitation Complex is organized, my parents, who were incredibly supportive of me, and did everything they could to reinforce my sense of self-worth, were outnumbered by these "Experts and Professionals" by about four to one.

........

Meanwhile, in grade school, I couldn't run and play hopscotch or jump rope with the rest of my class. And so I spent recess on the sidelines, sitting in the shade of the big oak tree.

And before you start listening for the sentimental strains of the violin, underscoring the "loneliness and isolation of the crippled child's life," consider this:

The children who were bullies -- who were afraid of and disgusted by any whiff of difference -- knew that no amount of insults or punches could shame me out of my wheelchair, so they stayed the hell away, rather than catch my cooties. And the kids who were interested in who I was as a person, who liked wordplay and imagination games (and perhaps, sensed that I came armed with my own Bully-repellent force field) came over to play with me of their own accord. And together, we made up our own games, where everyone was an equal participant.

So, in my life, my interactions with the Adult Population were always skewed toward the bullies-and-thugs end of the spectrum, and those with the Child Population were always skewed toward the Incredibly Nice and Ridiculously Creative end of the spectrum.

So -- yeah. In the ongoing "What to do About Bullies" discussions, my instinct is going to be to side with the kids, as "my tribe."
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
There's much talk in our culture, at this particular moment in history about the phenomenon of bullying... And the general, distilled, cultural meme that seems to be coming out of all this talk is:

"Children are, by nature, horrible, and cruel, and they need to have their broken, dysfunctional, compassion modules repaired by adults who know better."

And... that makes me very uncomfortable. Because? Frankly?

The vast majority of all the times in my life that I, personally, have been bullied, especially because of my disability and the difference that engenders (there's a part of my mind that is shouting "EVERY SINGLE TIME!!!" But I'm trying to stay away from extremes), has been at the hands of adults. On the whole, I have consistently (that part of my brain is shouting "ALWAYS!") felt much safer in the company of children, and respected as an actual human being.

And ...

On the one hand, I believe and respect the stories of people who have been bullied and harassed by children. And on the other hand, I want to respect and believe the stories my own memory is telling me about my life... without just dismissing my life experience as some "strange luck."

I sincerely doubt that I was visited by a fairy godmother in the Neonatal Unit of Strong Memorial Hospital and blessed (or cursed) me with a "backwards bully spell," after all.

Also, I think explaining bullying behavior by simplifying it to "Children are horrible little bundles of id and cruelty," is likely to miss the forces in the culture (at the adult level) that encourage bullying, so that the children who are so inclined will learn how it's done...

I've been puzzling my way through some hypotheses on how to reconcile my experiences with those of others... haven't gotten there yet.

But... yeah... that's kind of been circling through my mind, of late. So if you see a bunch of posts about this from me, that's why...
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
I'm pleased with this... though I think if I start talking about why, I will be here for all the hours, using all the words, about all the feels... And my tummy is rumbling, and I haven't had dinner...so maybe I'll come back after I've eaten.

---
A different sort of self portrait (a usual one will likely be forthcoming, too, but in the meantime):

Following [personal profile] spiralsheep's lead, because some people don't like looking at feet, here's a link to the Flick'r page, instead of a thumbnail (ha, idiom is funny, in context): My left foot

Now I know why I was on that shading kick spree this week...
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
The other day, I posted (what I thought) was the last poem in this cycle.

But, frankly, I was unhappy with the happy ending I gave it:

(Quote)
And I find a path, and there, the root:
That "Monster," once, meant "Warning from the gods"
This fear's unveiled, and like a ghost, it fades.
(Unquote)

First, simply defining "monster" as "warning" does nothing to make clear why I feel a strong personal connection to the word (especially if this piece is to stand on its own).

And, second (and more important), that ending is a lie. As much as I would wish it, the fear doesn't fade. I, and my companions of the abnormal, have to deal with it over, and over and over again, every time we go out into the world, and it's a fear that has real, painful, consequences for our lives. Also, I did not want to leave the casual TAB reader at any place where: "Oh, good. She'll have a happy ending, I don't have to worry about her (or people like her)" is a reasonable reaction.

So, I went back and finished up my original closing poem idea (which I initially abandoned because it was a radical chance of voice):


THE MONSTERS' CHALLENGE: THE VOICE OF REASON

There are no monsters underneath the bed
(Or so they say). They say there never were.
And when a baby's born with half an arm,
No chanting priest foretells the death of kings.
Today, we know the scientific truth
And we've outgrown those silly, antique tales

(Or so they say). And yet, we're all afraid.
There's something churning underneath our feet.
This modern world is bursting at the seams,
And All agree that Order must be Kept.
We've turned to science, and learned ten thousand ways
To know just who is normal and who is not.
We raise our funds, we look for cures, invent,
And teach the child to wear a plastic hand.
And though we know it's fiction, we still cheer
The knight's triumphant ride, returning home;
At last, the dragon's dead, and now hear heart
Is safely bundled in his handkerchief.
The monsters must not ever win the fight.
We only let them try, to prove who's right.

This is a good #5, as an answer to #4, which brought up the fallacious thinking of ancient philosophies (but we don't think that any more! -- yeah. But... no). And also, it's uncomfortable enough to make the reader squirm and (maybe) question their own thinking.

But still, you know me. I hate to stay in a place of bitterness for very long, for my own well-being, if nothing else. And I thought the reader deserved some sort of "author's note" as to why this whole series was written, in the first place. But first, I had to figure out how to end it in a truthful way, that gives a bit more meaningful context.

... That was yesterday's big project. This is the result.

THE MONSTER CHALLENGE: PERSONAL JOURNEY

In looking down upon my naked self:
My lap, my scars, my hands, and crooked feet,
My posture's slant, my elbow's inner bend,
I sometimes wonder what it means to see.
This looking at myself from where I am
Is not at all like looking at a rock.

The words that echo through my memory
In all the languages I've heard (or seen):
Like forest leaves that shift in every wind,
Their shadows hide -- disguise -- the things I see.
It's through this tangled forest I must go
To find my truth, and know just what I am.
And then: one word. It catches like a thorn.
And though it stings, I trace its twisted growth.
I find a path, and there I find the root:
That "monster," once, meant "creature born deformed,"
(Somewhat like me?), "a warning from the gods--"
One shadow pierced. This light can answer fear.
And here's the fruit: it's heavy -- rich with seed.
I'll plant one for myself, and start anew.
capri0mni: Illustration of M. Goose riding a gander; caption reads: Beware the magic of words (mother goose)
Freshly minted -- as of seven minutes ago -- the mold's barely been cracked.

I'll come back later and revise.

THE MONSTER CHALLENGE: OUT OF THE LABYRINTH

In looking down upon my naked self:
My lap, my scars, my hands, and crooked feet,
My posture's slant, my elbow's inner bend,
I sometimes wonder what it means to see.
This looking at myself from the where I am
Is not at all like looking at a rock.

Remembered words -- they echo in my thoughts --
In all the languages I've heard (or seen).
Like forest leaves, they sway in every breeze,
And cast their dappled shadows through my mind.
It's through this tangled forest I must go,
To find my truth, and know just what I am.
And then: one word amid ten thousand words
It catches, like a thorn, with sharp intent.
Although it stings, I trace the tendrils back,
And find a path, and there, the root:
That "monster," once, meant "warning from the gods."
The fear's unveiled. And like a ghost, it fades.
And here's the fruit: it's heavy -- rich with seeds.
I'll plant one for myself, and start anew.
capri0mni: footnotes are where the cool kids hang out (geek pride)
So yeah... the other day, I wrote this as a quickie post:

[Quote]
A proposal for a definition of "Geek," which can exist independent of any particular cultural trend (e.g. video-games, comics, or spec. fic):

Noun:

Someone to whom the sentence: "You're over-thinking this," is inherently nonsensical.
[Unquote]

This is the ultimate antithesis of a "quickie post" It has All the Words... But a bunch are under cuts, and I'll understand if you don't actually read them all (though it would be nifty if you read some). Basically, this is where a non-geek would say I'm over-thinking this...

That thought came to me in the middle of watching the newest music video from the YouTube Channel called "Geek and Sundry," which is provided under the cuts below for those who are curious. Go Watch / Read / Whatever. I'll wait 'till you get back.

I'm the one that's cool -- video behind the cut for NSFW or kids visuals )

I'm the one that's cool -- Song lyrics for those who can't watch vid, behind the cut for length )

The thing is, I've always considered myself a "geek,"* but I had to Google about two-thirds the cultural references in those lyrics before I understood them. And I really think "geek" is really more about: 1) A general attitude toward the world around you and 2) your favorite ways of solving problems than it ever was about which particular cultural tastes you have.

I mean, take this soliloquy from Hamlet, for example: if these aren't the words of a Geek-type wishing he could be more of a Jock-type, than I don't what is (whether these are words strictly specific to character and situation, or [as I suspect] the author getting a wee bit autobiographical)

Video of he Soliloquy from the end Act 2, Scene 2 in *Hamlet* as acted by David Tennant )**

Text of the Soliloquy )

Here's where I stop quoting and start babbling my own words about everything above -- Starting with *Hamlet* and finishing with why I think 'Geekdom' is MORE than just science, math, computers, and science fiction, but even so, I understand why so many people think Geek=Science ... What do you mean, I'm 'over-thinking this?' )


*or rather, as someone of that personality type -- the year I graduated left high school, (I stayed an extra year after I was qualified to graduate so I could be in the new Advanced Placement History and English classes): 1982, the first definition of "Geek" in the dictionary was still "Someone who bites the heads off chickens," and I was never that.

**There's also a video that compares the performances of both Simm and Tennant, back-to-back, but of the two, David's version comes across to me as more frantically barely-out-of-adolescence in age, in terms of don't-know-what-to-do-with-my-feelings and resulting social awkwardness, so I think of this performance as one of the geekiest ever. Makes it easier to remember that Shakespeare wrote the character to be college student... Or it could just be because of that tee-shirt he's wearing in the scene ;-)
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
You know. This may sound super naive and ridiculous, and not something that should come spilling through the fingers of a 47 year old woman--

But:

I write "fantasy" because I believe it's more real than so-called 'realistic fiction'

It's not that I believe in the literal existence of elves, or vampires, or unicorns, or nannies who come flying in hanging onto the parrot-headed handles of umbrellas, or any of that (necessarily).

But I Do believe that:

A) There is more to the world than can be explained by the tangible and logical.

and that

B) That the things we imagine (subconsciously in dreams, and consciously, in our daydreams) can, and do have a profound impact on the real world all around us.

So every story I write will have at least some element of each of those things, even when I'm not consciously trying to put it there. Because it's more than just a favorite genre, it's the filter through which I see the world.

And that's also why I tend to get much less enjoyment out of reading "realistic" fiction:

If it's a story that never even questions "reality," never challenges the broad, culturally defined nature of our world, it just feels "flat"-- like the author is only telling half the story.

Ya know?
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Between the crevices of daily tasks
My thoughts slip, far too easily, away
As silver fish that dart 'tween blades of grass
From sunlit streams to rivers deep in caves.

They gather there, to ask Aunt Jenny Wren
About the Suffragettes. And Pete? That book.
In patient tones, they carefully explain
To Shakespeare how a modern camera works.

And with my thoughts, the minutes slip away,
I do not finish all the things I ought,
And suddenly, I've reached the End of Day,
Returning home from being lost in thought.

It's quite a realization-- once again:
Surrounded by Imaginary Friends.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
"Petrov, the Thinker," from The Danny Kaye Show (1966):



I'm beginning to think that at least half the credit for Danny Kaye's genius should go to Sylvia Fine, his wife, who wrote most of the songs he performs so well.

...The thought of transcribing all her words, together with the twitches and sweeps with which he punctuates them, threatens to make my head asplode. But here are two chunks that struck a personal chord, with me, and I felt I should at least get these two down:

Chunk #1 (2:41 - 3:10)

Spoken: "And that is how I'm discovering the secret of successful thinking --
The secret even the greatest philosophers cannot teach you --
Spinoza can't, Hagel can't, and Kant can't."

Sung:
"But first you must think about
Something to think about
Then, when you've thought it, you think it.
It may be a bell or a puss in the well,
Or a sting or a ring or a trinket.
Then, quick as a wink,
You must sit down and think,
Never mind if the thought is a bother.
But as soon as you've got
What you got from the thought
Then it's time that you thought of another!"



Aha! So that's my trouble -- it's that "knowing when you've gotten all you need from the thought and putting it behind you" that I'm getting stuck on. Instead, I obsess. And then, I depress. :-/



Chunk #2 (5:39 - 6:09):


Sung:
"So Petrov, the Thinker, is brilliant to the core!
You pr'olly wonder why you never heard of him before --
I will tell you, confidentially,
That Petrov is, essentially,
A thinker of Imaginary kind!
For Petrov, the Thinker
May think he's a thinker,
But Petrov is a-a-all
In my mi-i-i-ind!
Hah!"



And isn't that, essentially, the relationship of a writer to her (or his) characters?

---
There's a lot of meat to this, I will probably be coming back often, to learn it, and, as I do, I will fill out the transcription, bit by bit.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Last evening, I wrote (under a locked post):

(Quote)
And this is why even good rom-coms are like psychological Chinese Restaurant food: make me feel all happy and rosy while I'm watching them, but leave me depressed and lonely an hour later... Especially when the hero is a creative/artistic outcast, such as Danny Kaye so often played [Did he play a performer / actor in every one of his movies?],* because that's the character type I most often identify with, myself...
(Unquote)


And, almost as soon as I wrote that, I realized that all those years in my late teens and early twenties (when I was venturing out of my parents' world, and still in contact with other people on a daily basis), I'd been mistaken. Back in the day, when I was watching those sentimental love stories, I was taking it at face value that I was being entranced by the idea of such an artist type falling in love with me -- and it wasn't until I wrote it out, in a half-sleep state, that instead of wishing for the hero, I was identifying with the hero.

Oh, Subconscious, you tricksy rascal! Twenty years later than I could have actually used that knowledge... Why I oughta ...!



*Checks -- maybe not Every, but close:

Buzzy Bellow / Edwin Dingle (1945) -- Nightclub entertainer / "bookworm" (geek); Walter Mitty (1947) -- a writer of pulp fiction; Hobart Frisbee (1948)-- A music professor[ Georgi (1949) -- a song/dance man for a medicine show; Jack Martin (1951) -- a caberet entertainer; Hans Christian Andersen (1952) -- writer, again; Jerry Morgan (1954) -- vaudville vantriloquist; Hubert Hawkins (1955) -- ex-carnival dancer turned minstrel, turned jester. ...And so forth. His full filmography is here (I'm hungry, and tired of typing)
capri0mni: "Random" in mixed fonts, with "Stuff" in French Script on a red label obscurring a common obscenity. (random)
(I've come back to edit the bullet point about Chuck -- rereading it, I realized I had so many thoughts, I left key bits out of a key sentence)

  • Okay, so I cut my own hair, Friday night, and was tweaking it through the weekend... which meant I was spending more time than usual looking closely at my face in the mirror. And I noticed something.

    You know that the our faces are naturally asymmetrical, right? And that the right side of the brain controls the left side of the face? Here's a Web page that talks about that: Face assymmetry.

    ...Anyway: after looking at my reflection for the umpteenth time Saturday night, I noticed that my left eyebrow is markedly arched, and my right eyebrow is flatter and tending toward furrowed-ness. It's as if the analytical side of my brain is looking at the world and saying: "Grr! Eedjits!" And the creative side of my brain is looking at the world and saying: "Oh, Really?!"

    It struck me as highly lollerous. And yes, I LOL'ed.


  • I had a meta dream, this morning. I dreamt that I had a weird dream, and I ended up explaining my weird dream to people in my dream, and explaining how I thought my weird dream was giving suggestions for what we should do next (also, one of the characters in my dream was. Oh, and for some strange reason, Danny Rebus (from the new version of The Electric Company) was one of the people I was working with... (Here's His page on the Electric Company Website).

  • My cat Amanda is being particularly talkative today: walking around the house loudly declaring ...something... to the world at large like a Shakespearean actor doing a soliloquy.

  • (I almost put this one in things making me happy list from May 31, because I like it when the lightbulb clicks on about something. That 'aha!' moment feels good. ... Except this time, that light also illuminated something unpleasant. So I left it out. And I'm sticking it with "random" instead)

    I recently realized something about why I find Chuck so entertaining to watch, and while I will probably miss it when it's gone: For what's not in it: Disability.

    Now, I was actually surprised when this notion clarified in my mind (as if floating slowing from the murky depths of a silty pond, until it bobs up on the surface, all shiny like). Normally, I despise the erasure of "my kind of people" from the world, but the lack of disabled people from even the background crowd scenes means that in the entire four season run of the show (So far, I hope this post doesn't jinx this) means I could sit back, relax, and not worry that I'd have to watch any of the following plot points:

    1. That someone is going to "fake" a disability, in order to avoid suspicion or notice (which means, in real life, that people with disabilities are always under suspicion).

    2. That possible disability is used as a threat for a fate worse than death.

    3. That bitterness over having a disability is regarded as a reasonable motivation for wanting to hurt others or seek revenge (in an: "Oh, well. Of course that makes sense," sort of way).

    4. That shame over becoming disabled is likewise seen as reasonable excuse for not asking for help, even when going on as if nothing has changed actually results in the death of innocent people.

    5. That averting a feared disability, is portrayed as the happiest of happy endings, especially if the person who escaped this terrible fate is pretty. ... as long as you're "Beautiful" and "Whole," your life will be nothing but sunshine and lollipops for ever after.


    The fact that I do have to brace myself against those story lines in every other hour-long drama (and a few sitcoms) on television in the last (unspecified number of years) or so, is very, very depressing.



  • Thanks to [personal profile] trouble for pointing me to a transcript of Jay Smooth's video that I posted, last night:

    How to Tell People They Sound Racist )

    One reason why this is making me especially squeeful right now is that I'd just finished reading the bit in Cosmopolitanism: Ethics in a World of Strangers (Appiah, 2006), where the author makes the point that sharing someone's values isn't really important, and what we should be worrying about instead is agreeing on proper actions.

    Philosophical convergence for the win!
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Back on September 5, 2008, I was moved to write this, to (maybe) counteract some misconceptions my friends and acquaintances may have about what it's like being me:

Just for the record, I have cerebral palsy (excerpt: I've linked to the entire post in my profile) )

Cerebral Palsy, because it starts in childhood, and has an effect on how the kids who have it grow up, is broadly classified as "a developmental disorder," and is lumped together (broadly) with Down Syndrome and Autism, which just makes me want to "GRAH!" at the "experts."

My aide's other regular client is a four-year old boy who is also diagnosed with CP. His CP makes his muscles floppy, including the muscles involved in speach, so he's just now learning to talk, and it takes a lot of concentration to get a sound out. Lucky for him, Audrey met me first, and knows that CP does not equal 'retardation." Also lucky for him, she's spent most of her adult life working with and training horses, so she's comfortable "reading" nonverbal communication. But this kid's nursery school teacher is convinced that CP does mean he's retarded, so she's dumbing everything down for him, and feeding him the answers. One time, the teacher was trying to get him to play a game with two options to choose from, when Audrey had been playing the same game at home with four. She tells the teacher: "You know, he's not paying attention because he's bored." The teacher responds with: "Oh, no! He's not bored, he's just confused. Let's make this game simpler."

Head, meet Desk. I have a feeling you will soon be well acquainted.

(Back when I wrote my original post, WebMD.com's entry on CP just said that it causes a significantly higher percentage of mental retardation, but with no hard numbers. I went back to the site recently, and now it says that "some level of" retardation occurs in between a third and a half of all kids with CP. That means a half to two-thirds of folks with CP have no retardation at all, of course. But I'm still skeptical it's that high, especially if the people coming up with these stats are misreading boredom as confusion)

Anyway, I say all this as a preamble to explain why, most of my life, I've argued that CP has no effect on my thinking or perception of the world at all -- that it's a purely physical thing. But, this argument is getting harder to maintain, especially since I do not believe that there is a Mind/Body dichotomy, or in discrete "God-Given" soul. And if I can freely admit that growing up in a specific time and place, and with the parents that were mine, influenced my concept of who I am, and my place in the world, then, surely, I can admit that growing up in this specific body also influenced this understanding. How can it not?

---
Back when I was growing up and first getting diagnosed and going through physical therapy ('60s and '70s), they didn't have the brain scan technology they do now. Now, 'they' think that "my kind of CP" is probably caused by faulty myelin sheathing in the ol' cerebellum, like a house with faulty insulation in its electrical system, and from what I can figure out from reading about what myelin does, I can see how that could be, based on what it feels like, inside my body:

I have intention to do one thing (such as balance, or stand, or take a step), but as my intended thought to move this leg in this direction is also accompanied by unintended signals to contradictory muscles in other parts of the body things get complicated, and I often have to slow down, and break down one intention into several parts, and consciously stop one movement before starting the next. So here's my one analogy I came up with, to get a handle on what my CP subjectively, psychologically, feels like:

Imagine trying to open your door, and go inside your house. Simple, right? Now, imagine that your arms are full of a dozen loose oranges, and you have no place to set them down for a moment ('cause you can't detach part of your body and put it aside until you're done). And you can't drop any ('cause that would be akin to your body just ceasing to function, and falling into chaos).

So reaching out to turn the doorknob is interrupted several times in order to catch a threatening orange avelanche with your chin, and then you have to pause, and rearrange your load.

Opening the door and going inside is going to take a lot longer for you than it is for your neighbor, who's carrying his oranges in a conveniently handled basket, and you're going to be a lot more tired when you finally do get inside... And the thought of making dinner will probably leave you with a desire to order a pizza, instead.

But you're not "fatiqued" in the senses we usually think of it. It's not that your arms are too weak to carry the oranges. And it's not that you don't have as much stamina as your neighbor (you may even have more, all things considered -- he might get tired and give up at attempt #60, and you can go all the way to #100, and not think it's anything unusual). It's just that you have a lot more to do to accomplish the same task.

Which is why I was so annoyed back in college, when I happened to look up "cerebral palsy" in a medical encylopedia, just out of curiosity. The fact that I was in the library was the only thing that kept me from shouting "Oh, FUCK YOU!" when I read the official medical description (used by doctors to determine diagnoses, and advise patients on treatment). It said that Cerebral Palsy is "severe and debilitating." 'Debilitating' struck me as particularly insulting (as I said before -- no two people's CP are ever the same, so it may be debilitating for some. But I think it's unfair and inaccurate to use that term as a broad, general starting point).

So -- yes. How this all effects my "Idea of I." I don't know what the Self or Ego really feels like to those with normative body-brain connections, but I've read plenty of literature and mythology where the mind and/or soul is described as a discrete and immutable "pearl," (that maybe resides in the pituitary, or maybe the heart, or right next to the adrenal gland, on top of one of the kidneys), or a tiny, bright, single spark of energy. I read those poetic metaphors and think: "Yeah. That's nice, and all, but doesn't feel right..."

You see, for me, the psychological space between imagining an action and carrying it out (that "rearranging of oranges") often feels like a negotiation, or (on bad days) a knock-down, drag-out fight. It's not that I feel like I have "mulitple personality," per se (even though I've caught myself addressing different body parts by pet names) -- my sense of "Ann-ness" is fairly coherent, and consistant. But at the same time, when I'm negoiating, I'm negotiating with some-(entities).

*sigh.*

It's hard to talk about when there isn't a shared language... It's just -- there is the "Executive function" that I've heard neurologists on science shows talk about. But "making the call" is more like a "call and response" song: in someone with a normal body-brain connection, the call out to the right hand to pick up the hairbrush is answered only by the right hand picking up the hairbrush. In me, however, it's also answered by my feet curling, and my back "hyper-extending." Then, I have to put down the hairbrush, consciously relax my leg and back muscles, push myself back into my seat, and start over.

So while there *is* a "Self" it feels more like it's an identity reached through lifelong consensus, rather than a single monarch giving orders from on high. Or maybe it's like a sports team -- a particular team may have a recognizable "personality" or "Culture," and a particular team psychology may be consisitant and coherent over a long period of time, even as different team members leave and join. But that single identity arises out of multiple points, rather than coming from a single "boss."

You know?

No?

*sigh* What I said before about lack of a shared language.

Oh, well, I just felt like I needed to "talk" it out...
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
Man! Now that I've figured out the quirks of their design tools, I can see how this is a potential time-sink to rival TVtropes. Because, truth be told? My mind is always churning out mottos and snarks. It's just that, until now, I haven't had any easy place to put any of them.

Now, well: Fear Me!

Audrey wanted me to put my "Monster on Wheels" design on an adult shirt, so she could wear it, too (so she and he could have the same "team uniform," so to speak). But that made me really uncomfortable, because the disabled (especially disabled kids) are always having their identity appropriated by the able-bodied authority figures around them.

But I also understand the desire to declare your affliations, and to have matching shirts and such. So yesterday, I came up with a tee-shirt for the able-bodied advocates, featuring the same type of monster, but grown-up, and standing and scowling. With the words "Monster Advocate" on the front, and "You haven't seen the last of me." on the back, because I know that she, personally, likes tees with stuff on the back.

On the one hand, I like it, because:
  • It has the double being an advocate for monsters, and being something of a monster, when you go into advocate mode.
  • And it's sort of like the goalie's uniform in Soccer/Football -- it belongs to the same team, but there's a distinct design, because the goalie has a different role to play within the team.


On the other hand, I'm still uncomfortable with it, because it reinforces the idea that the disabled need to depend on able-bodied advocates (and even if it's true that doctors and airline security officials, and waitstaff in restaurants are less likely to take you seriously unless you have an able-bodied person with you, it still stinks).

So now, I feel the urge to make Another design with a disabled adult monster as a self-advocate (you see what I mean about this being a time-sink?).

And, late last night, I couldn't sleep, so I worked on adapting the ADA-anniversary sticker I did last year to a design for a trucker hat (mostly because the graphic I'd already made last year was the right size for that, and I didn't have fiddle much with it. And I really like how that turned out. I took out the specific reference to the ADA and the anniversary, because a) it's no longer a round-number year, and b) I wanted to remove the US-centrism. I had fun writing the description, today, and telling a bit of mythology around Hephaestos, and hinting at how he's also the God of the Ancient geeks.

So, anyway. The conclusion to all this is that I've decided that I will only work on designs to sell for the first 5 days of each month. That way, I'll force myself to think of creating other stuff, too. And my store will be regularly updated.

So.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
So, yesterday, on the LiveJournal Side, I got into a thread discussion in my Daylight Savings Time pet-peeve post. And, even though I never intended to, going in, I got defensive, and argumentative, and ...just icky.

And the level of my reaction surprised me. And then it upset me, because I shouldn't have gotten as upset as I had. And then I descended into that downward spiral of depressive thinking, and that made me even more upset. So I had to back off, and post a Saint Paddy's Day Spoof vid, and a meme, and then trawl YouTube for Animaniacs clips.*

And then, as is my wont, I had to do some self-examination, find that pesky button, so I could put some sort of fail-safe on that sucka, or at least slap a Big Red Warning Sticker next to it.


This is what I've figured out, so far (links in this list go to Wikipedia articles):

  • I have no problem with time zones, per se, nor the related system of longitude, since longitude was developed through a long history of scientific inquiry, of people studying the Heavens, the Earth, and our place on it. Yes, there are arbitrary bulges, and corners, and dips and zags to accommodate artificial boundaries between states and countries. But at least each time zone is based on the actual circumference of the Earth (1/24th).


But:

  • I inherited much of my distrust of DST from my father, who grew up in the age when it was reserved for wartime, and not a regular marker of the changing seasons. So, in recent years, when it's rolled around, I'm reminded that Dad's gone, now, and I have no one to with whom I can blow raspberries at the whole Idea of DST. And I get a booster shot of sadness and loneliness.

  • DST is a man-made thing. Its start time and end-time is decided by politicians and corporate lobbyists who want to sell more sporting goods, french fries, and charcoal briquettes. Selling more sporting goods and briquettes may be a perfectly fine goal, nothing wrong with that, per se, necessarily. But it does mean that DST as become the synecdochic file in my head into which I slip All Things of Human Cultural Hubris, and having to go around changing all my clocks just reminds me how much I "Do Not Fit" with American Culture as a whole, and how far I am "out of sync" with the world around me. It's a bit like getting poked in the cheek with a sharp stick.


And finally:

  • I remember how Bush sold this most recent extension of DST -- as his contribution to Combating Global Warming, by saving energy without having to make any really hard choices. Which... Just No.


*A Buttons and Mindy sketch called Mindy in Wonderland; I've seen Buttons and Mindy criticized for being repetitive, but these bits were less formulaic than the Road Runner cartoons they were spoofing (the chase and wallop trope). And in this one, it's a remarkably good mash-up with Alice in Wonderland, and Buttons finally gets praise and a hug for his trouble.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
There's a post I wrote four months ago for [community profile] quietconversation (access-only locked comm) that the radio interview yesterday brought back to mind, with more thinky-thoughts and wonderments layered on top, so I am currently reworking it for a more public audience. That's gonna take a while.

The post is mainly about the intersection of modern medicine and ancient religion (Paleo-Pagan, rather than Neo-Pagan), and I mention that I'm atheist.

I've since realized something: It's not that I think God(s) is(are) a fiction. God(s) may or may not exist. I might even take the existance of some form of Deity as fact without too much fuss or argument.

But I've discovered I don't need to believe in God(s) in order to have a warm and loving relationship with the Universe of which I'm a part. And it's the insistance of the many of the loudest theists that I must be incapable of love without God (and their particular God, to boot) that gets my nostril hairs in a knot.

Ya know?
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
I'm tired of giving LJ money; so, come February 11th, I'll go back to having 6 icons, instead of 71. Therefore, I decided today that my "default icon" should, in fact, be a broad umbrella -- capable of conveying myself in as wide a variety of moods as possible.

So here's a portrait I drew of myself while sitting in front of the bathroom mirror last August. After I finished the "objective," outside version of myself in pencil (as objective as one can be, while mirror-gazing), I went over it with water color pencils and a wet paintbrush to overlay colors that represented all the different facets of me that exist on the inside.

And "looking closely at myself, and trying to convey what I see to the world" is basically what my journal is for, after all, so. There you go.

...

I just wish there were a way to mass-download all my art from my LJ picture gallery back to my computer, rather than doing it one-by-one. Which will be tedius in the extreme.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (will fall)
And I'll try to keep this brief.

(Icon description: An abstract falling leaf pattern in dark green; the overlyaing caption reads: "A tree will fall in the forest and the forest will hear.")

So: Late in May, I made a mid-year resolution to return to a daily writing practice.

After six weeks and a bit of this, I've discovered something:

I can not write a scene (no matter how small) with "no one" in it.

Even in a scene as brief as:

"The sun shone brightly on the ocean waves."

There's someone there to see that. That someone is unnamed, and undescribed. But someone is there. The moment I go into any further detail is the moment that someone's character begins to be revealed. If I describe the color of the water as: "the color of tarnished copper" (for example), then the scene is being witnessed by someone who knows the color of tarnished copper. Or, as the scene unfolds from my imagination, I might start to realize that I'm writing it from the p.o.v. of a personified rock on the shore, or maybe a fish being dropped on the deck of the fishing boat, or maybe the boat itself.

But every scene has a witness.

That is what has always bothered me about that old philolosophical riddle: "If a tree falls in the forest, and no one is there to hear it -- Does it make a sound?"

If the tree is in a forest,
Then
Someone is there to hear it.


Even if the other forest's other vegetation can't hear (as we understand hearing), I can't imagine a forest without birds, and bugs, and mammals, and reptiles, and -- on and on. Forests are crowded places, by definition, and they're crowded with many creatures with ears.

But the whole question presupposes that humans are the only "Someones" -- the only real inhabitants in the world -- that, Matrix-like, the rest of existance is generated only by our own minds. It's a perspective that leads to a callous disregard for other living things, and also a willingness to trash our objects, and things we've created.

That presupposition might come from the premise that in order to be a "someone," who can perceive, and feel, and understand, you have to have a soul. And only humans have souls, because we are made in God's image, and God gave us souls....

Maybe that's why so many* Fundamentalist Christians can't understand how an atheist can have any morals at all, and think we must all be self-centered and callous.

...I don't know... just a thought that rises in my head, now and then.

Then again, I've held some sort of Animist beliefs since as long as I can remember having a sense of "me-ness". So add salt to taste...

*Or at least, it seems like "many," based on the comments I've encountered from self-Proclaimed Fundamentalist Christians.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (alien cuddles)
My recent post about missing the magic of cuddlies has gotten me thinking more about the subject...

One of my mother's anxiety triggers was clutter (I am glad she is no longer alive to see the way I live, now), and so she would regularly encourage me to get rid of toys I had outgrown. But it was always something we did together: going through my toys one by one, and deciding which I wanted to keep, and which I was ready to get rid of. And if they were cuddly animals or dolls, or books, we would donate them to someplace with younger kids, so they could continue to be loved.

For this reason, I no longer have many of the cuddlies, bears, and other stuffed animals I matured with... But neither do I feel that they are things I have lost, or were "taken away from me." A few of the cuddlies I loved forever, and those, I've kept (My Hedgehog, for one). ...But I think one reason why they no longer comfort me as they used to is that, now, they remind me of everything I've lost, so the comfort they provide is cancelled out by the sadness they trigger.

And now, onto the geek question:

My parents let me keep my pacifier, without drama, until I was four years old, until one night, going into a friends' house for dinner, I forgot about it, and left it in the back seat of the car.

When we got back to the car, I couldn't find it anywhere, and was very upset,* so the next day, my mother handed me a small novelty toy, telling me it's a "Grown-Up Pacifier," and I was a big girl, now, and so this will be more fun for me. And she was right (description follows):

It was a small, white plastic square, about 4" on a side, and about 1/4" thick. on the front, it had a clear, circular window, about 3 1/2" in diameter. On the inside, it had a thin layer/s of some sort of oil, of different colors and viscosities (I figure that's what it was) that was heat and pressure sensitive. So, when you rubbed your fingers over the back of the square, you could make different designs and patterns appear in the window on the front.

It really was a neat stress/boredom toy; I had it for years, and even the grown-ups would occassionally ask for a turn playing with it. Only problem is, I never knew the real name for it, except "Grown-up Pacifier". But putting that into a Google search only gave me two kinds of links:
  1. How to get your toddler to give up the pacifier
  2. sexual fetish sites (adding "toy" "oil" and "stress-reducer" to the boolean search did not help)

So does anyone know what the real name for this thing was, and if it's still being made (the original was from 1968 -- the era of the lava lamp. I can see how this might have been a close cousin)?

*(thinking back on it now, one of them probably slipped out to the car and got rid of it while I was distracted, probably reasoning that since I'd forgotten it in the first place, my emotional attachment to it was already waning, and now would be a good time to break me of the habit, before I entered Kindergarten in September)

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capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
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